Ombre

Nov 22 2008 - Feb 28 2009
Gallery Space at Palazzo da Ponte, Venezia
Artists

With “Ombre”, Zynsky presents her boldest and most compelling works to date. Moving in a new direction, Zynsky continues the inventiveness for which she is known, once again pushing the scale to achieve more complex, convoluted, vertical forms marked by a stark use of vibrant monochromatic color. Red emerges as a powerful theme in the show. Grounded in darkness, shadows rise giving way to intense brilliant color.

Zynsky shapes glass as if it were a fluid fabric. Stretched, twisted, and compressed abstract forms fold in on themselves, undulating and shifting as light illuminates the bold color and delicate striations within. “Ombre” conveys a paradoxical sense of permanence and daring impermanence. Each work is an individual portrait.

The critic Arthur C. Danto wrote, “In an age in which the relevance of beauty to art is widely questioned, Zynsky’s work is uncompromisingly beautiful. It is however what the poet Andre Breton would have called convulsive beauty. The intensity of the adjoined color, the tactile vitality of the fluted walls, the swirling energies of shape and pattern are transformed into a luminous whole through the interaction between glass and light.”

TOOTS ZYNSKY | SHORT BIO

In 1984, Zynsky was the first contemporary glass artist to have a piece directly commissioned by the Museum of Modern Art, New York. She has been the recipient of many awards, including two National Endowment for the Arts Grants, as well as The Pell Award for Excellence in the Arts.
She has exhibited her work and lectured extensively in the United States, Europe, Mexico, and Asia. Zynsky’s work is represented in numerous major public and private collections worldwide, including the Metropolitan Museum of Art, New York; Museum of Art and Design, New York; Museo Correr, Venezia, Italia, Hokkaido Museum of Modern Art, Sapporo, Japan; Houston Museum of Art; Museé des Arts Décoratifs du Louvre, Paris; Museum of Modern Art, New York; National Gallery of Victoria, Australia; Philadelphia Museum of Art; Smithsonian Museum of American History, Washington, DC; Victoria and Albert Museum, London; and The White House Collection - now housed in the Clinton Presidential Library