“[...] Richard Marquis has had an extraordinary influence on the development of contemporary studio glass in America and around the world. Studying at the University of California at Berkeley during the 1960’s, he explored ceramics and was introduced to glassblowing. Unsatisfied by the limited techniques practiced in America at that time, Marquis went to the island of Murano, near Venice, to observe and work with the masters of glassblowing tradition acknowledged as the best in the world. Freely sharing his knowledge of the techniques he learned in Venice, Marquis has demonstrated and taught throughout the United States, Europe, Japan, Australia and New Zealand. The effect of Venetian glassblowing techniques on American studio glass enabled glass artists to expand their technical vocabularies and, combined with new and experimental approaches, led to the redefinition of glass as an artistic medium. As an artist, Marquis is admired for his sophisticated understanding of colour and form as much as for his humour and willingness to experiment. As a glassblower, he has influenced an entire generation of artists working with glass who aspire to his technical mastery and the originality of his voice[...]” Tina Oldnow – Independent Curator and former Senior Curator of Modern and Contemporary Glass at Corning Museum, N.Y.
“Tre Vecchi Amici”, Austin Art Projects, Palm Desert, CA
June 15 - September 15
"Life is a Highway: Art and American Car Culture", Toledo Museum of Art, Toledo, OH
"Dick & Johanna Marquis: Recent Works - New and Used", Traver Gallery, Seattle, WA
September 29, onward
"Keepers ", Museum of Glass, Tacoma, WA
Objects in the exhibition will be chosen from the artist’s comprehensive archives of his art from the 1960s to the present. Marquis calls these pieces his “keepers.” The galleries will be thematically arranged and include areas of his work that have rarely been exhibited, such as his ceramics and prints.